The need to protect one thing stems from a robust feeling of belonging related to it. A stand-alone vitrine displaying city-based playwright and poet Ashutosh Potdar’s assortment of letters, postcards, images and theatre archives builds on this thought. Titled, ‘The Metropolis is Not Afraid of Time’, it’s an try to doc the altering nature of town, and an ode to its long-surviving theatre group.
Attachment and discovering floor in transience are explored within the delicate sculptures and surrealist work by artist Prabhakar Panchpute. Two sculptures titled, ‘Holding’ and ‘Belonging’ deliver out the emotions connected to land, and echo the sorrow of it being snatched away. Adjusting to new environments seeking progress and a greater life will be daunting. ‘Museum Menagaries’ is a sequence of work that inform the story of migration, and remodeling oneself within the course of.
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