“We used a pace drone for quite a few transition pictures and motion moments,” Joe Russo elaborates. “It will possibly journey as much as 80 miles per hour and, because it’s small, it will probably fly very near the actors with out hurting them. We used that to extend the tempo of these pictures to propel viewers and the story alongside at breakneck pace.”
And what in regards to the film’s Prague tram scene, which sees Sierra Six and Dani Miranda have interaction in a three-way combat with Hansen’s mercenaries and the native police drive throughout a plaza and varied modes of transport?
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