“There are a selection of digital camera rigs we used,” Joe Russo provides. “One was a PoGo digital camera, which is connected to finish of a protracted stick. It requires two operators – one to carry the stick, and the opposite operates a distant head and digital camera, which transfer a lot sooner than a dolly or crane, to allow them to wrap round an actor or stunt performer.
“We used that lots within the sq. of the Prague shootout to get round a few of the mercenary squads, or transfer throughout them rapidly, to painting that kinetic, dynamic feeling. So something we may function to bolster that notion of tempo was utilized.”
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